剧情介绍
康(kāng )沃尔渔(yú )村(⛲)的风(fēng )(🐽)景明(📼)信片田园诗(🔼)误(wù )导了人(rén )们。虽然过去钓鱼是一种养家(jiā )糊口的(de )方式，但如今富有的伦敦游客纷纷下山，取(qǔ )代(dài )(♑)了当地人，当地人的(de )生计因此受到(🕖)威胁。史蒂文和马(mǎ )(🛹)丁兄弟(🚥)的关系也很(🎿)紧(🎫)张。马(😚)丁是一(yī )(🙁)个(😻)没(méi )有船的渔(yú )夫，因为史蒂文(💞)开始(shǐ )用它来为(🚣)一(🔩)整天(tiān )的游(🚨)客(🛑)提供(😞)更赚钱(qián )的旅(lǚ )游(yóu )。他们卖(mài )掉(🥔)了这座(zuò )家(jiā )(📙)庭别墅，现在看来(🌞)，最(㊙)后(👓)一场战斗是和(hé )新主(zhǔ )(🍄)人在海边的停车位(wèi )(🤲)上展开。然(👺)而，情(🤳)况很快就失(shī )(🧟)控了(le )，而(ér )不(🕯)仅仅是因为车(chē )轮(lún )夹钳。Bait是一种黑(hēi )白，手工(gōng )制作，16毫米胶片(🌪)制作的(🚶)电影。许(💯)多关于鱼、网(wǎng )(🎥)、龙虾、长(zhǎng )靴、绳结和渔篮(lán )的特写镜头(♌)让人想起了蒙(🔞)太(tài )奇景(jǐng )点(diǎn )的理论。对不(bú )同社(shè )会(huì )阶层的描述——可以说是(shì )(👛)阶级关(👗)系——(🚻)也让(ràng )人想起了英国电影中的(de )社会现实(🎴)主义传(🚩)统。然而，最重要的是，在影像(🍯)中不同(💕)层次的电影(🖱)历史(shǐ )参(😲)考文(⛅)献之下(💨)，当前许多政(zhèng )治关联正在等待(🔍)被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.