剧情介绍
康(🌠)沃尔渔(yú )村的(de )风景明信片(piàn )田(🐌)园(🍩)诗误导了人(😘)们。虽然过去钓(diào )鱼(🍥)是一种养家糊口的方式，但如今富有的伦敦游(🌫)客(kè )纷纷下山，取(🏇)代(dài )了当(dāng )地(🚤)人(rén )(🖲)，当地人的生计因此(cǐ )受(🎡)到威胁。史蒂文和(hé )马丁(dīng )兄弟的关系(xì )也很(🎿)紧张(🥞)。马丁是一个没有船(🚑)的渔夫，因为史蒂文(💞)开始用它来为一(yī )整(🥁)天的游(🚨)客(kè )提(tí )(⏯)供更赚钱(❔)的旅游。他(🌊)们(men )卖(mài )(🥎)掉了(💻)这(zhè )座家庭别墅(shù )，现在看(🤸)来，最(㊙)后一场战斗是和新主(🍄)人在海边(👃)的(🧤)停车(🚻)位上展开。然而，情况(kuàng )很(🥕)快就失控(kòng )(🚴)了，而不仅仅(👣)是(shì )因为车轮夹(💹)钳。Bait是一种(🐾)黑白，手工制作，16毫米胶片制(zhì )作的电影。许(xǔ )多关(guān )于鱼、网、(🐡)龙虾(xiā )、长靴、(🤥)绳结(📛)和(hé )渔篮(💏)的(de )特写镜(👵)头让人想起了蒙(méng )太(tài )奇景点(diǎn )的理论。对不(bú )同社会阶层的描述——可(kě )以说是(shì )阶(jiē )级(jí )关(👗)系——也让(🔪)人(🐂)想起了(⏺)英国电影中(❓)的社会现实主(zhǔ )义传统。然(🏸)而，最重要的是，在(🐈)影像中不(🌲)同层(céng )次的电(diàn )影(yǐng )历史参考文(⛅)献(xiàn )之下，当(dāng )前许多政治(zhì )(🎞)关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’(🤷)ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.