剧情介绍
康沃尔渔村的(✒)风(fēng )(🐽)景明(míng )信片田园诗误导了人们。虽然过去(qù )钓鱼(yú )是一种养(yǎng )家糊口的方式，但(dàn )如今富有的伦敦游客纷纷下山，取代(♑)了当地(dì )人，当(🐿)地人的生计因(yīn )(🗄)此受到威胁。史蒂(dì )文和马丁(🚉)兄(xiōng )弟(dì )(🚥)的关系也(yě )很紧(jǐn )张。马丁是一(🙁)个(😻)没有(🖍)船(chuán )的(de )渔夫，因为史蒂文开始用它来为(🚣)一整天的游客提供更赚钱(❔)的旅游。他们卖掉了这座家庭别墅，现在看来，最(㊙)后(👓)一场战斗是(shì )(🎾)和新(xīn )主(🍄)人在海边的(de )停车位上(🕙)展开(😍)。然而(ér )，情况很快就失控了(🧣)，而不仅(🌮)仅是因为车(❕)轮夹(jiá )钳(qián )。Bait是(shì )一种(🐾)黑(hēi )白，手工(🏻)制作，16毫米胶片制作的电影。许(xǔ )(💯)多(duō )关(🔈)于鱼、网、龙(lóng )(🈺)虾(xiā )、(📧)长靴、(🤥)绳结和渔篮(💏)的特写(xiě )镜(jìng )头让人想起了(🏃)蒙(méng )太奇景点的理(lǐ )(🔙)论(🌱)。对不同(tóng )社(🔫)会(💣)阶(jiē )层(céng )的描(📞)述——(🚽)可以说是阶(🕕)级关系——也让人想起了(⏺)英(👩)国(🧘)电影中的(de )社(✖)会现实(shí )主义(yì )传统。然(🏸)而，最重要的(de )是，在影像(xiàng )中不同(tóng )(💕)层次的电(diàn )(🐱)影历史参考文(⛅)献之下，当(🙅)前许(🛌)多(duō )政治关(🚓)联正在等待(dài )被发(fā )现(xiàn )。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.